When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion. Your browser isn’t supported anymore. https://charliecqxvk.tribunablog.com/5-fatos-fáceis-sobre-lo-fi-blues-descrito-45617045